ojas
ओजस् ojas [vaj] n. force, energy || lat. augustus. — The Substance That Maintains Life.
Ojas is the sara (essence) of dhatus ending with shukra dhatu (reproductive tissue).
It is also known as bala (strength). This strength provides stability and nourishment of the muscle tissue.
It is located in the hridaya (heart). Though it is located in the heart, it pervades all over the body and controls the working of the body.
Importance
By its loss, the autoimmune system becomes vulnerable to disease.
Types
Ojas has two types:
- Par: It is located in Hridaya.
- Apar: It is located all over the body.
Appearance (Swaroopa)
- It is viscous (Unctuous and greasy).
- Somatmaka (Preponderant in watery principle).
- Clear (Transparent).
- Slight reddish yellow in colour.
nadānta
नदान्त myth. danse cosmique de Siva-Nataraja, qui fait «cesser le bruit» de l'univers lors de sa dissolution finale; représentée dans des idoles de bronze dans l'Inde du Sud: Siva tient dans sa main droite supérieure un tambour [damarin] symbolisant le son primordial, dans sa main gauche supérieure une flamme symbolisant la destruction du monde, sa main droite inférieure est en abhaya mudra symbolisant la protection divine, sa main gauche inférieure montre son pied gauche levé symbolisant l'espoir de libération, le pied droit reposant sur le nain épileptique Apasmarapurusa symbolisant l'ignorance; le tout entouré d'un halo de feu [prabhavali]; cette danse est aussi appelée anandatandava.
tāndava
ताण्डव myth. danse macabre de Siva-Bhairava dans les enclos crématoires | myth. danse cosmique de Siva-Nataraja; cf. ananda, nadanta.
parā
पर para pn. m. n. f. parā antérieur dans le temps, ancien | plus éloigné dans l'espace | qui suit, qui vient après
brahmarandhra
brahmarandhra: n. fontanelle, 10e ouverture [रन्ध्र randhra] du corps humain | phil. [vedānta] «l'ouverture de Brahmā», région du cerveau située sous la fontanelle antérieure, siège de l'Esprit [manas], des perceptions [tanmātra], et du corps subtil de l'âme [suksmasarira]; [yoga] emplacement du sahasrāracakra.
sahaja
sahaja [ja] a. m. n. f. sahajā simultané (à
bindu
बिन्दु bindu var. vindu_1 m. goutte | point, marque, tache; signe sur le visage, mouche | math. zéro | gram. signe de l'anusvāra | phil. symbole de l'Absolu.
trikona
त्रिकोण trikona [tri-koṇa] n. triangle; syn. tribhuja..
vahni trikona n. phil. tantr. triangle la pointe en haut, symbolisant le principe mâle dans un diagramme [yantra] géométrique.
sakti trikona n. phil. tantr. triangle la pointe en bas, symbolisant le principe femelle dans un diagramme [yantra] géométrique.
umā
उमा umā myth. Umā «Lumière», épith. de Durgā-Parvāti, épouse de Siva-Mahesvara.
bhairava
भैरव bhairava [vr. bhiru] a. m. n. terrible, formidable, effrayant — m. myth. np. de Bhairava «le Terrifiant», épith. de Siva sous sa forme farouche; sa monture est un cadavre [savarudha] ou un chien, et il porte la massue de crâne-humérus [khatvanga] comme arme | yogin de la secte tantrique des adorateurs de Bhairava — n. horreur, terreur — f. bhairavi phil. [tantr.] np. de Bhairavi «la Terrible», l'un des 10 aspects [mahavidya] de Sakti.
vikalpa
samavesa
pashupati
Pashupati (Sanskrit: "lord of cattle/livestock") is a name of Rudra-Shiva in the Atharvaveda (the Rigveda has the related pashupa "protector of cattle" as a name of Pushan). Lord Shiva is widely known as Pashupati in contemporary Hinduism. The name has also been interpreted as meaning as "lord of creatures" more generally, compare the biblical "good shepherd" metaphor of e.g. Psalm 23, "The Lord is my shepherd".
The name has also been applied to a figure, probably a god, depicted as sitting among animals, discovered in the context of the Indus Valley Civilization. This god has been suggested as an earlier form of Rudra. Parallels have also been drawn with the Celtic Cernunnos.
hamsa
rsi
darshana
A darshana (or darsana) is one of the Hindu schools of philosophy.
The Sanskrit word is formed from the root "drs", which means "viewing" or "looking at". Its sense in the Hindu Vedas was just this, but came to include the viewing of a holy person, or image, as a religious act that brought special blessing. As the final, more philosophical part of the Vedas, the Upanishads, were written and contemplated, "darshana" went on to refer also to the different ways in which the Vedas could be viewed. These ways crystallised into the six "points of view", or six orthodox formulations of Hindu philosophy.
Each darshana was presented by one canonical author in the form of sutras (aphorisms) which became the obligatory point of reference for further commentary and development of the viewpoint. Western schools of philosophy are often seen in conflict with one another – for example, Platonists and Aristotelians, rationalists and empiricists, etc. – whereas the darshanas of Hinduism, despite often presenting contrasting articulations, are inspired by an at least implicit unity. They are presented indeed as points of view, different above all in perspective and not in ultimate content.